North East Open Studios

Lynn Pitt of the Mill of Nethermill Pottery Studio

For nine days in September the artists, craftspeople and makers in the North East of Scotland open their doors to the public.  It is a widespread, highly organised and volunteer run festival where the public can venture across this scenic landscape to find unique workspaces, converted mills, chapels and and magestic castles-turned galleries displaying no less majestic and unique work. The rich artistic tradition in this seemingly remote part of Scotland is laid out, waiting to be discovered.

A comprehensive book and clear map become your exhaustive guide to the festival– there is so much to see and do, that even if you have a plan and are highly organised, you probably won’t be able to see it all. At least, I wasn’t able to make it to all the venues I wanted to. The book makes a lovely catalogue guide to artists and makers in the area, even after the festival is over. (I used the one from last year to become acquainted with the creative landscape of the area).

Shards outside Lynn Pitt’s studio

Highlights for me were visiting Lynn Pitt at the Mill of Nethermill whose small stone built studio is nestled in lush, wild bay– a few steps from the studio wrack-covered stones jut out into the sea.   Lynn also runs award winning, self-catering accommodation on this site. I purchased a beautiful pit-fired urn which I hope to use as a spirit box. It feels alive in the hand– marvellous.  Her studio is full of  sturdy, elegant pieces that one could use everyday– mugs, plates and vases– in deep blues and greens that no doubt get their colourings from the shifting moods of the sea outside the studio door.

One of the closest venues (to my own home studio) in the festival is also one of my favourites, Watergaw Ceramics. Watergaw is the Scots word for a shimmering, indistinct rainbow and it suits the otherworldly glaze of Fiona’s work which utilises “glaze reduction lustre”.  The light in the converted-chapel studio brings out the luminous and nacreous surfaces of her work brilliantly.

Photo of Fiona Duckett at Potfest by Christine Cox

Brian Cook Shand, Fiona’s partner, was demonstrating making round, perfect things on the wheel on the day we visited.  Also at the studio was Woodwork of Neal Graham as well as the intricate Picticish and Celtic carvings of Jamie Fergusson of Pictish Designs.  I was able to talk to Jamie for quite some time about his process and what it’s like to be a jewellery maker here, including the interesting potential development of a silver-smithing co-operative in Banff in a newly renovated listed building, but that is a topic for another time.

Maria Manuela Guerreiro in her home studio.
Annunciation Angel detail After Fra Angelico. Egg Tempera and Gold Leaf on Paper by Maria Manuela Guerriero, 2015. (apologies for the poor photo of this work!)

Another highlight was visiting the studio of icon painter Maria Guerreiro of Portsoy. The intimate scale of the paintings allows her faith to shine out.  She uses medieval materials and techniques in traditional yet accessible ways.  I fell in love with the profile of an angel on paper which I purchased.

Painter Mary J. Torrance in her home studio.

We also met Mary J. Torrance, painter of cats.  Her sunny studio outside of Fraserburgh was open to the public.  I enjoyed hearing about her wide-ranging process and the kind of creative explosion that happens when women decide to stop giving away their ideas and energy and instead employ it to service their own vision.  On the whole NEOS impressed me particularly for the women participating, all at the height of their creative powers.  I thought perhaps it is no mistake I have ended up here.

“Merry Go Round” Painting (reproduction) by Mary J. Torrance

Brooches Galore in the Upcoming Shop Update

We are back on schedule for a weekly shop update after our move– I’ve forged an exciting selection of pennanular brooches, all a variation on my best selling simple brooch which has been featured in one of Staci Perry’s (Very Pink Knits) patterns.

These variations have semi-precious stone adornments– labradorite, amethyst, moss agate and carnelian.  Another is in a playful snake shape and another has scrollwork that is reminiscent of a moustache!

Like all my brooches these are cold forged, pantina’ed in sulphur and then tumbled to harden and polish them. Lastly, they are hand polished to bring out the detail in the work and the warmth of the copper.

After moving to a chilly part of the world (Northern Scotland) where on midsummer I was wearing a hand-knit cardigan, I have realised that my knitting is going to become an even more important part of life.  Knitting styles have a strong tradition here and I am looking forward to sharing what I learn.  These designs were fuelled by the excitement of living somewhere where even the summer climate is sweater weather!

Seaside Solstice

Midsummer sale– 15% off everything at Feralstrumpet.co.uk with code MIDSUMMER17 until June 27th, 2017.
View from the Banff Castle, located at the end of our street.

I have recently moved to Banff on the north east coast of Scotland.  We live in a house that was once a free school, built in 1803, with our office and workshop upstairs and our living space downstairs with a large cottage garden out back.  The coast here is wild and beautiful.  Dolphins regularly migrate through this part of the North sea at this time, and the days are long– dusk coming around midnight.

I am excited to see how my work will develop here– given the space and freedom this new living situation provides, as well as the rich inspiration the sea brings– every hour the colour shifts and moods produce a kaleidoscope of colours in the interplay of sea, sky and sunlight.

I plan to continue unpacking my altar today– what are you doing on this longest day?